I was getting kernel panics after installing protools and the core audio drivers. I finally got it to work but then, whenever the driver is initialized as in iTunes plays a song or i launch protools, i was getting a high pitched noise!!!! The free and lightweight Mac OS X installer which provides the driver needed for your Digi 002 and 003 Firewire audio interfaces Digi 002 and 003 Driver is the the free software package that installs the driver for various models of the Digi Firewire interface: 003, 003_Rack, 003_Rack_Plus, Digi_002 and Digi_002_Rack.
A good way to tell if someone is crazy is if they answer their own questions. Mac OS X Core Audio integrates a range of audio functionality directly into the operating system in ways never before possible, enabling unprecedented performance and ease of use in your virtual studio. Core Audio lays a new foundation for the next generation of world-class audio and music applications from innovative developers. Breathtaking Performance Mac OS X delivers the best audio performance in desktop computing.
The most fundamental measure of audio performance is throughput latency — the time it takes for audio to enter your Mac, travel through the system to your application and then pass back out to your monitoring system (speakers). Logic Pro 7 The Core Audio HAL (Hardware Abstraction Layer) allows multiple applications to share the same device, while maintaining ultra-low latency performance. So you could assign channels one through six of a eight-channel output device to a multi-track program, such as Logic Pro 7, while leaving a virtual studio rack like Reason with channels seven and eight. And because this performance is built directly into Mac OS X, you experience the same ultra-low latency out of the box on any Apple system. Go from the Power Mac G5 in your studio to your PowerBook on the road — you get consistent performance every time. Aggregate Devices dialog box Device Aggregation Mac OS X Tiger now allows you to use multiple audio devices together to increase the number of input and output channels.
You can combine devices of like sampling rate together, whether via FireWire, PCI or built-in, into a single aggregated device. Set up is easy via Audio MIDI Setup and your new “virtual” device will automatically show up in all applications on the system. Core Audio Format Core Audio Format is the latest addition to the dozens of audio formats supported natively in Mac OS X. Developed by Apple, Core Audio Format (CAF) combines virtually infinite capacity with rich support for metadata in an optimized-for-audio package.
As a 64-bit file format, you can record a thousand channels of audio for a thousand years in a single file. And it can store any audio data, whether uncompressed PCM or compressed such as AAC. Application support for these files is available today in QuickTime 7. Plugged In Working digitally lets you easily manipulate audio and add special effects. It’s trivial to reverse a sample or add simple reverb to make your music sound as if it were recorded in a huge concert hall or the in the bathroom at CBGB’s. Mac OS X Core Audio provides a system-level plug-in architecture called Audio Units. This allows developers to deploy their plug-ins in a single format that any Mac OS X application can use.
Components Apple includes several Audio Units in Mac OS X, including one that adjusts timing without affecting pitch, a Velocity Engine-optimized reverb and a matched pair to stream audio over a network. Apple also provides a software instrument that supports both the industry-standard DownLoadable Sounds (DLS) as well as SoundFont formats; giving you high-quality, low-latency sample playback. MIDI Thru and Thru Mac OS X integrates MIDI (Musical Instrument Digital Interface) Services directly into the operating system for increased stability and performance. Audio MIDI Setup allows you to easily manage your MIDI needs and define a system-wide MIDI configuration that is available to all of your applications. Mac OS X also includes a MIDI Network driver, allowing you to send and receive MIDI over a network connection. Optimized for G5 The Power Mac G5 is the ultimate machine for audio professionals, with capabilities that are not usually found on personal computers. The state-of-the-art optical digital audio in and out ports use the S/PDIF (Sony/Philips Digital Interface) protocol over Toslink cables for connecting to devices such as decks, receivers, digital instruments and even 5.1 surround-sound speaker systems.
And Mac OS X is specially tuned for the G5 processor, providing a seamless transition to 64-bit power with optimized math libraries that let today’s applications take advantage of tomorrow’s power. Quote: yea, its quite nice having core audio drivers on the 57. It allows me to encode 2 records at once by launching two independent instances of the AudioRecorder.app program, this greatly reduces recording time, plus i can encode direct to 320kbps mp3, instead of to.aiff (in SSL) and have to spend time converting the uncompressed.aiff to.mp3 Exactly the same reason why I want it. I bought the 57 partially because of this capability, but now it seems that this is not implemented for Mac. Only windows has ASIO drivers which allow routing choice. If I record on my mac, input 1 is the left channel and input 2 is the main out.
That's not exactly what I expected from 'recording 2 inputs at once'. Core audio drivers and routing capability please! Quote: Exactly the same reason why I want it. I bought the 57 partially because of this capability, but now it seems that this is not implemented for Mac. Only windows has ASIO drivers which allow routing choice.
If I record on my mac, input 1 is the left channel and input 2 is the main out. That's not exactly what I expected from 'recording 2 inputs at once'. Hi Evilbanana. You.can.
record from two separate inputs at the same time with CoreAudio, using 'aggregate devices'. We'll get back with a more detailed description of how to set this up. Quote: Unfortunately we hit some serious obstacles with the CoreAudio driver. Apologies for the delay. So I imagine we'll hear something new come this August.
Any takers on what we'll hear, my guess is 'Sorry for the short delay, we are working on it!' Or something equally vague. Nothing personal against you Sam, but If Serato has given up on the project due to insurmountable technical obstacles, or if it simply is no longer a priority and has been put on pause to develop a new 'limited edition' colored control vinyl for all the posers to drool over and argue about then just tell us as well. At least then we know where we stand for chirst's sake because frankly not getting any kind of information at all over such a long period of time is just unacceptable bullshit one would expect from the likes of Native Instruments.
I hate to act that way but nothing is more frustrating than being left completely in the dark. edit. Core audio is not going to happen for the SL-1. Quote: Will there ever be core audio drivers for the SL 1? Core audio support for the SL 1 was initially planned for development. Unfortunately due to a hardware limitation in the SL 1 it is not possible to provide core audio drivers for the unit.
Buried in the FAQ, I wonder when they dropped that in there? And who the fuck checks the FAQ 2 years after buying the product?
Lemme mosey on over to the FAQ, maybe they've made an announcement there! Well, it's good to finally know something for sure, still sucks that another user had to point me to it. How many people posting in this thread already knew this? A sticky at least would be nice.
Quote: Exactly the same reason why I want it. I bought the 57 partially because of this capability, but now it seems that this is not implemented for Mac. Only windows has ASIO drivers which allow routing choice.
Digi Core Audio Drivers For Mac Download
If I record on my mac, input 1 is the left channel and input 2 is the main out. That's not exactly what I expected from 'recording 2 inputs at once'. Hi Evilbanana.
You.can. record from two separate inputs at the same time with CoreAudio, using 'aggregate devices'. We'll get back with a more detailed description of how to set this up. Since no docs were released yet I hope it is okay to quote a description. Quote: On the Mac, 10.4.x In the Utilities folder there is a utility called 'Audio Midi Setup' Run it with the 57 plugged in and ScratchLive not running.
Select 'Open Aggregate Device Editor' from the Audio Menu Select the '+' sign to add an aggregate device. Check the 'use' check boxes for the following: TTM57SL Line 1 TTM57SL Line 1 TTM57SL Line 2 TTM57SL Line 2 One of these will default as the clock for the aggregate device. It does not matter which one, since there is only one clock in the Mixer. Now in your DAW you can use the aggregate device to record Line 1 and Line 2 streams at the same time.
Coreaudio Driver For Mac
Sorry for bringing this up after so much time, but I gave up on recording my vinyl. And now almost 1 year later I want to get it going again and appareantly the 'solution' has become 'sorry guys, we promised and advertised from the box we were going to do this, but we were just messing with you, we decided to not gonna do it, we need to implement some video crap'. Thanks Nik for that nice description but it's not addressing the problem I need fixed. I use AudioHijack which can open multiple instances, I don't need all audio at once on 1 input.On the contrary, getting all audio on 1 input is actually the issue. TTM57 Line 1 is Line 1 Prefader, while TTM57 Line 2 is.
'everything that comes out of your mixer'. I want TTM57 Line 2 to be able to be Line 2 Prefader as well.
The Mixtape-functionality as originally advertised when I shelled out 1450Euro was intended to provide you with the possibility to record Line1 and Line2 separately so you could add effects, replace audio, mess around with the mix however you liked in your DAW and then finalize it. Yes, I know it works on windows, but I'm running Mac, not gonna buy a second computer just to record.
Besides, the recording tools I purchased are Mac as well. Instead of having this functionality we're listening to 'it's technically too difficult to do this.' (while Serato is implementing Video, yeah, I guess that's an easy one).
If it's too difficult, why is the recording feature in SSL-software itself capable of selecting the appropriate input (prefader, postfader, main, aux.). Seems like if the software can handle it, it should be perfectly possible to create a tool to select input-source-routing as well. Quote: Sorry for bringing this up after so much time, but I gave up on recording my vinyl. And now almost 1 year later I want to get it going again and appareantly the 'solution' has become 'sorry guys, we promised and advertised from the box we were going to do this, but we were just messing with you, we decided to not gonna do it, we need to implement some video crap'. Thanks Nik for that nice description but it's not addressing the problem I need fixed. I use AudioHijack which can open multiple instances, I don't need all audio at once on 1 input.On the contrary, getting all audio on 1 input is actually the issue.
Core Audio Driver
TTM57 Line 1 is Line 1 Prefader, while TTM57 Line 2 is. 'everything that comes out of your mixer'. I want TTM57 Line 2 to be able to be Line 2 Prefader as well. The Mixtape-functionality as originally advertised when I shelled out 1450Euro was intended to provide you with the possibility to record Line1 and Line2 separately so you could add effects, replace audio, mess around with the mix however you liked in your DAW and then finalize it. Yes, I know it works on windows, but I'm running Mac, not gonna buy a second computer just to record.
Besides, the recording tools I purchased are Mac as well. Instead of having this functionality we're listening to 'it's technically too difficult to do this.' (while Serato is implementing Video, yeah, I guess that's an easy one).
If it's too difficult, why is the recording feature in SSL-software itself capable of selecting the appropriate input (prefader, postfader, main, aux.). Seems like if the software can handle it, it should be perfectly possible to create a tool to select input-source-routing as well. Obviously right after posting this frustration post, I stumble upon the TM57 recording utility.
Perhaps it's not a bad idea to actually post this in the download/support-section of the website guys!!! My apologies and thanks for the utility! QuoteOn the Mac, 10.4.x In the Utilities folder there is a utility called 'Audio Midi Setup' Run it with the 57 plugged in and ScratchLive not running.
Select 'Open Aggregate Device Editor' from the Audio Menu Select the '+' sign to add an aggregate device. Check the 'use' check boxes for the following: TTM57SL Line 1 TTM57SL Line 1 TTM57SL Line 2 TTM57SL Line 2 One of these will default as the clock for the aggregate device. It does not matter which one, since there is only one clock in the Mixer. Now in your DAW you can use the aggregate device to record Line 1 and Line 2 streams at the same time. I followed these instructions, however the aggregate device only gives me a check box for TTM57SL Line 2 and not the others. Running OSX 10.5.7. Is there another way to get it working?
Quote: On the Mac, 10.4.x In the Utilities folder there is a utility called 'Audio Midi Setup' Run it with the 57 plugged in and ScratchLive not running. Select 'Open Aggregate Device Editor' from the Audio Menu Select the '+' sign to add an aggregate device. Check the 'use' check boxes for the following: TTM57SL Line 1 TTM57SL Line 1 TTM57SL Line 2 TTM57SL Line 2 One of these will default as the clock for the aggregate device.
It does not matter which one, since there is only one clock in the Mixer. Now in your DAW you can use the aggregate device to record Line 1 and Line 2 streams at the same time.
I followed these instructions, however the aggregate device only gives me a check box for TTM57SL Line 2 and not the others. Running OSX 10.5.7. Is there another way to get it working? P.s What is DAW?
Full Specifications What's new in version 7.4.2 introduces Leopard support. ONLY For Owners of Supported Digidesign Hardware on Mac OS X 10.5.3 'Leopard' That Do Not Have Pro Tools Installed The Digidesign CoreAudio Driver is an option (checked by default) during the installation of Pro Tools.
If you are installing Pro Tools 7.4.2 for Mac OS X 10.5.3, you should use the Digidesign CoreAudio included with your Pro Tools installation, not the standalone version. This download is for owners of supported Digidesign hardware on Mac OS X 10.5.3 'Leopard' that wish to install the Digidesign CoreAudio Driver without installing Pro Tools. General Publisher Publisher web site Release Date July 24, 2008 Date Added July 24, 2008 Version 7.4.2 Category Category Subcategory Operating Systems Operating Systems Mac OS X 10.5 Intel/PPC Additional Requirements The Standalone Digidesign CoreAudio Driver v7.4.2 was tested and qualified on Mac OS X 10.5.3 only Download Information File Size 33.13MB File Name coreaudioinstallerv74249904.dmg Popularity Total Downloads 221,710 Downloads Last Week 82 Pricing License Model Free Limitations Not available Price Free.